If I select HDMI one, it’s going to bring the still image version in front of the viewers. The chroma-keyed camera view is still available as a shot. Now you can see from this view that it’s exactly the same background I’m doing in the yolobox pro, using a loaded video as the background, picture-in-picture with my chroma-keyed camera view over the top of it. you can’t adjust the speed or crop the video or zoom into it further. For example, this one is 16 seconds so it’s not too long but it’s long enough that it doesn’t feel overly repetitive. That is a great feature while it could be as long as you want. We select that and I am keyed over top of the video background and you can have anything playing behind you, like any video clip and it will loop automatically. So now you can see my picture-in-picture video in the center of the bottom. You could adjust the aspect ratio which is very useful in other aspects. If we adjust the scale big, I am as big as the background. Over here, you can see the scale option and aspect ratio. But it lets you put the main screen display into or over top of a video background. It doesn’t put that plus the background over top of the other item. Because the thing that the Yolo box doesn’t take that composite video and put it over top of the composite shot from input one. The background is the video that I just loaded (that motion graphic looping background) and the thing on top is going to be the shot of me that has no background. It has to be part one of the things that you can select as part of your program. We’re going to add a video from the SD card. The answer for whether I can have a video behind me is YES. but when you do select it, you get the composite view as we call it. It doesn’t show the background from the camera. Now I have a shot of the HDMI 1 from the camera. And overall the main shadow is behind me so you’re not going to see that which helps to key out pretty well. So the shadows from the big light on top are offset by the lights I have down here underneath my table. So you can see over here that I still do have shadows but they’re minimized. And that’s the key is to make that green as bright and shadow-free as possible. It still keys out so you don’t see many shadows. I have a big soft light in front of me and two low lights down here to fill in the bottom of the green screen so I can get pretty close to it. But you don’t want to go too far or else you would become a ghost based on your setup. You could use the similarity&Smothness to adjust the edged green. And you can see I’m in an office and got a little bit of green around my arms. we’ll click on the option and pick a background image of an office. Let’s just start with a basic background image. And underneath it, you can see the picture-in-picture. Adding background imagesĪt the bottom, it says background image. We can adjust the smoothness for the proper thing. You can adjust and see as I adjust similarity that it just starts to go away. We’re going to turn the keying on and the green is gone. The way you do that is you hit the little person icon in the upper right-hand corner of that camera feed. So the key to what we’re going to do is to remove the background from my main shot.
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